Thursday, 30 October 2008

HUNTERIAN MUSEUM

PICKLED PEOPLE PARTS AND OTHER SICK DELIGHTS.

The ribs and thoracic and limbar vertebrae showing metastatic tumours.





A prolapsed jejunum showing approx 4 inches of small intestine passing into the section immediately below.


One of the arms of an octopus showing the suckers on the inner surface.

I was a little disappointed with how some the pencil drawings turned out, but this one reassured me.

The foot of an infant showing the early eruption of smallpox over its surface.
I wish I had taken a camera because the jars were so old that when you moved the item would distort really nicely.



Cranium, probably European male, and a male skull from which part of the cranial base and the right zygoma have been broken off.
I was especially pleased to see shelves full of broken skulls. Skulls make up a massive part of my aesthetic ideals that it was good to draw from life/death.


Deformed tusk of an African elephant.
I was becoming increasingly conscious of how many more drawings I had to do in the timescale given, so I chose an easy draw. Imagine that on an elephant's face though!!


Part of the rectum with the urinary section of the cloaca of an ostrich.
First time I've ever drawn one o those!! I thoroughly enjoyed it, the folds were great and I thought it was funny the way it was strung up from the corners. Does anyone know what a cloaca is?


Head of a young chimpanzee.
This was so harsh I had to draw it. The pencil marks have gone a little messy, a lot of the definition (the tongue mainly) has been lost.


The sac of a large hernia, believed to have been congenital, of the inguinal region.
This piece almost looked like a flower or something. If someone said "hernia sac" to most people, i'm pretty sure nature's beauty wouldn't be the first thing that comes to mind.


At this point I got fed up of the 'delicate' pencil drawings I was doing and wanted to make some bold marks, so for the second half I used fineliner. I think it was a wise decision as the next ten have so much more clarity than t'others.
The foetus of a puppy with no facial features and an abnormally small head, probably caused by the absence of the brain above the brainstem.

The upper half of the body of a foetal pig, showing excess accumulation of cerebrospinal fluid in the cranium.
Everything was backlit and the head looked amazing cuz it was translucent. I didn't quite manage to capture the 'lolling' tongue as well as I coulda though.


The foetus of a pig showing severe malformation of the hind limbs and pelvic girdle. This is probably my favourite image from the whole trip. Once again the arms were strung up into a little zombie pose.


Painted silver prosthetic nose, early 19th century.
After reading the accompanying text I had to write it out because it made me laugh so much. The funniest bit was that it was like a burgundy colour so it wouldn't have matched anyone's skintone anyway!!


the upper body of an Asian house shrew, showing the position of the teeth.
It was cool how they were dissected into upper body, lower body etc. in some cases. It makes for a self contained and well composed drawing!


The body of a lizard dissected to show the viscera.
This one wasn't so great to be honest, the lizard had a lot of texture that I couldn't properly record without making the drawing look too busy, consequently the 'chest' scales look crap.


The lower body of a sparrow, caught during breeding season in late spring, dissected to show seasonal testicle growth.
Nice. They had one for every few weeks of the season. Sadists.


The toe of a lion.
Cats are awesome so I really enjoyed drawing this. From the size of the claw you get an idea of how much damage this beast could actually do. The fur was amazing and I think that using a fineliner and drawing it the way I have gave it a bold effect that I may try to replicate in the future.

Lemur skulls. I thought these were cute.


The maxilla and mandible of a child aged 6 to 7 years old. The permanent teeth begin to erupt around this age and the lower incisors are just emerging. I don't know where I thought permanent teeth came from before I saw this, but this really surprised me. Are they in there the whole time, or what? I think the drawing was quite successful, especially the eye sockets and the nasal region.




All in all, it was a good day out. Lots of curiosities and most importantly,
SKULLS.
I'm even considering going back to draw the first ten again in fineliner...
Watch this space.

Summer: Who I am and what I want.

WHO I AM:
MY PERSONALITY

NAME: Colm. Translates as 'dove' in Gaelic and pronounced like 'column.' The Mythology behind my name is on Cullan, the sword smith and warrior. The story goes that he was entertaining the King of Ulster, and the King's nephew, Setanta, arrived late. Cullan's fearsome watch-hound had been unleashed, as the guards were told there were no more visitors expected, so Setanta slayed him. REalising what he had done, he then offered to become Cullan's guard until he could find a replacement for the dog. The myth is Cu Chulainn - Cullan's Hound.)

AGE: 20 (At time of drawing). 20/21sts of the "Key to the door". Actually my 21st was shit, I had tonsilitis and stayed in bed.





BIRTHPLACE: Camden UCH ( Basically I turned the word 'Camden' backwards - Ned = Scottish slang for chav, Mac = computer)




DATE OF BIRTH: 9th October 1987. "The" Storm.




POSITION IN THE FAMILY: Youngest of 2, I have just flown the nest. My sister has flown and come back but thats not nature's way so I didn't draw that. Also, the mother bird would have scraped the empty eggshells out of the nest if ya wanna get really technical. I am pleased with how this one turned out. In comparison to the other watercolour one (for 'religion), the use of watercolour here looks appropriate and effective.




NATIONALITY: Irish/English mongrel. The dog is my aunt's, Riley, he's a mysterious breed. Even though I have Irish citizenship I'm still a mongrel... But aren't we all?




RELIGION: Atheist. Religion = conflict and bigotry. This is my least favourite image, I made the mistake of making Ganesha blue, his arms look really wrong and awkward.. Buddha also looks as if he is pullin Bin Laden's beard rather than strangling him.. I could have made this better by making the original drawing more precise and applying colour using photoshop rather than watercolour paint.





EDUCATION: Many things yet to learn I have. Attention I must pay.





HOBBIES: Music and things wot kills ya, such as boozin and smokin.




CAREER PLANS: Tinker, tailor, soldier, sailor? NAH!!



WHAT I WANT:
REQUIREMENTS
SELF-DISCIPLINE




HEALTHY DIET




A JOB





JAMS AND GENERAL DRUMMING





PULLEY SYSTEM IN HALLS
EXPECTATIONS


GET LOST AT LEAST ONCE



MAKE NEW FRIENDS





BECOME MORE CONFIDENT




BE BROKE A LOT OF THE TIME






LEARN NEW SKILLS



HOPES (In this section, I have represented each hope with an upper body garment).




BUILD A GOOD NETWORK OF CONTACTS





DON'T GET STABBED UP OR SHOT






AVOID SHOREDITCH NATHAN BARLEYS





FIND DECENT GIGS TO GO TO




ADJUST THE THE TEMPERATURE DIFFERENCE

Tuesday, 2 September 2008

TEN IMAGES (six to ten)

TEN IMAGES THAT I FIND
INTERESTING
(not just illustration)
PARTS 6-10.


6

















(Photograph: Johnny Rotten by Dennis Morris)
The photo is interesting to me because of the strong contrastring tones produced by the light. I think Rotten must have been playing with a torch, his face almost looks like a strange rubber mask, and has a sinister and deranged feel to it. I think this is because you can see most of the detail of his face apart from his eyes, so the viewer feels there is something being held back from them and a deeper sense of wrongness present.


7























(Ralph Steadman illustrations for Hunter S Thompson's 'Fear & Loathing in Las Vegas' - first published in Rolling Stone magazine).
To me, Steadman's drawings accompany Hunter S Thompson's writing style brilliantly. His stories of drug-fuelled episodes laden with paranoia and confusion being met by scratchy and somewhat disturbing imagery, such as HST and his "attorney" speeding accross desert roads bubbles spewing from their heads to represent their inibriated mindframes.
I love the bottom image (of cops at a police convention about drugs, which Thompson and his "attorney" attended, on drugs).

8













('Catzilla'? -digital photo collage , Unknown Artist)
This piece of digital collage, unlike many similar pieces made in colour, rather than black and white, actually looks realistic because of the lighting and shadows. I also find this image to be humourous because of the way the cat is playing with the car as if it was a toy.


9









('Margaret Thatcher - Where Am I Now?' ...and everything else by Steve Bell.)
His cynicism in dialogue and vicious-ness in caricature makes Steve Bell the best, in my opinion, at mocking political figures. This one of Thatcher is my favourite. Without doing much, he has shown her for a psychotic wreck, desperately trying to claw back her "glory days" and remain in the public eye. His drawing style is loose but effective, for example the no. 10 door differs slightly from frame to frame, he isn't particularly worried about all the lines within (and bordering) the images being dead straight. It's this loose style that makes his cartoons look lively and oddball.


10













(Gee Vaucher - Gatefold cover of "Bullshit Dectector Volume 2" Compilation on CRASS records)

Vaucher's work early for the band (and label) Crass, was mostly cut 'n' paste collage. The subject is generally anarchistic in sentiment. Much of her work uses 70s and 80s imagery of oppression and governments, such as atomic-bomb mushroom-clouds, the police, Thatcher, etc.
This particular album cover, for a compilation on Crass records, is one of my favourite examples of Vaucher's work, using an original image of members of the royal family, in full regalia and decorated with medals and such.
She has replaced every face with a skull and applied the text:
"THE RULING clARSES?"(sic)
"RIGHT! HANDS UP ALL THOSE WHO CAN SMELL BULLSHIT"
which is great, because in the original image, a few of them must have been waving to the camera and have their hands raised. So she has used their imagery, twisted it and added her own ideas, and given it back as something intended to mock them. I see Crass and Gee Vaucher as the pre-cursor to subvertising. Below is a more recent piece of Vaucher's work.